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Browsing Archive: January, 2017

Neo Classical 8 Finger Tapping

Posted by Niels Vejlyt on Tuesday, January 17, 2017, In : Neo Classical Shred Guitar 

If you have followed my 8 finger Tapping lessons before, or my Sweep Picking 8 Finger Tapping lessons to be more precise you will know that to go from the Sweep picking technique to the 8 finger tapping technique I slide the pick up the index finger with my thumb. This is key to be able to combine those two techniques in the same lick. The most tough and the part you will probably have to drill again and again is the part where you descend the 8 finger tapping scale from the B stri...
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Blues Shred Techniques

Posted by Niels Vejlyt on Friday, January 13, 2017, In : blues shred 

This one is pretty cool and makes use of some unorthodox ways of playing sweep picking arpeggios, in this case im playing a D dominant arpeggio, but I play through some new patterns and add Tapping to it. What makes this easyer to utilize is to make sure of a very specific fingering, because you can actually make it pretty much impossible for yourselves if you dont create a specific fingering for your self that you use each and every time, you can of course use mine as I show in th...
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Easy Scale Licks Implementation

Posted by Niels Vejlyt on Saturday, January 7, 2017, In : Alternate Picking 

Obviously the idea of this video and blog is not the lick in it self but more a concept to use when you are soloing in the scales. And let me just apologize for the old url on the video, the video is not completely new but I find the info and idea very relevant and its some time ago I posted some Alternate Picking lessons. The idea is to take a basic concept or a pattern you want to play within the scale pattern and repeat that in the next or previous scale pattern, this is an e...
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Blues Shred Sweep Picking Tapping

Posted by Niels Vejlyt on Tuesday, January 3, 2017, In : blues shred 

So this is obviously a blues lick and by the way sorry for the late blog text. Its such a cool lick, I myself have started to work it into my improvisation where it ultimately belongs. The way to start working it into your playing is to pay attention to when you reach the second mode of the Major scale, or if you think of it as being in the fifth position from the A string of course which is of course theoretically more correct since thats the Mixolydian step which is Major with the low...
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